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Want EARLY Access To the 1,000 Bass Line Challenge?
Learn To Create Bass Lines On Autopilot - Just $27
‘Aren’t creative’ (I’ll prove you ARE and show you how to flex your creative muscles) Don’t know any music theory (It can be helpful, but you don’t need it to make bass lines) Can play other people's bass lines, but struggle to create your own
“2 weeks ago, during a jam session, we were playing several chord progressions and that day, my teacher said I was on fire! So I did the [bass line ‘spices’] that you taught and I did them in different places and with a faster rhythm and doing it seamlessly. For 3 chord progressions, I did it and then my teacher says, “WOW! Is this our Patty today?” They said that it was the funnest jam session we ever had for the past year - so they were very pleased.”
“I’m gonna tell you right now. This is the best bass course I’ve taken. I got way more out of this than out of virtually anything else I did...You clearly have sat down and thought about how to present material in a very organized fashion...”
“Our band was playing [Del Shannon’s Runaway] and I was just playing a very simple bass line - roots and 5ths - and I was always disappointed because I didn’t think it was very interesting. Then, as this course went on, I decided to see if I could play arpeggios along the major and minor chords and I started doing that and the guys in the band started saying “Woah! Where did that come from!?” It was so transformative in that song. The band members noticed I was playing something much more interesting. In some cases I’ve turned uninteresting bass lines into something more artistic, something more melodic.”
“For me, there were 50 different questions I’ve had in my mind forever, and this course answered them. I feel like there’s so many things that I now understand that I didn’t before. It makes me feel a lot better about myself as a bass player!...I feel a little bit more in the league of the players who know all that stuff.”
“One of the things I couldn’t do before was just put on a blues track and just jam for hours…but, very quickly, [the course] gives you the basic ability to be able to play along with this stuff. I couldn’t even come close to that before.”
“The analysis of real-world fills combined with science drills have given me confidence to start adding more interest to what I play. On a recent gig, I surprised even myself when I ripped out a second-position pentatonic fill--sounded great and so rewarding!”